Cuban-born, Mexico-based pianist Ana Gabriela Fernandez and I first met at a party for Revista 192 (you met the founders here). Ana is an artist: She speaks passionately and enthusiastically, plays with so much emotion it fills an entire room and seems to have a depth that extends beyond her years. Once she starts playing a song, you can't stop or interrupt her (why would you?), there is so much inertia that feels intrinsic to whatever she's playing. Like the song moves straight through her. My words fail me but I'll let her tell you more...
Hi Ana! Can you tell me a little about yourself? Where did you grow up? When did you start playing piano?
I was born in Havana, Cuba, and I was fortunate to grow up in a vibrant musical culture. My family has always had a deep appreciation for the arts, and I started playing the piano at a very young age, around five. Music was something that felt natural to me; it was like breathing. I remember the first time I touched the keys, and I was instantly hooked.
Why did you choose piano? Were you always interested in music?
I chose the piano because I was captivated by its expressive range and the ability to communicate emotions without words. It felt like I could speak through it. I’ve always been fascinated by how music can transcend language and culture, which is why I was drawn to so many different genres as I grew older. From classical to jazz, there’s so much to explore.
What kinds of music do you listen to now?
But I’m also very passionate about jazz, especially the works of Bill Evans, Miles Davis, and Quincy Jones. Their improvisational style and the way they blend harmonies and rhythms speak to me on a completely different level. Jazz has an emotional freedom that is both exciting and liberating.
Why Chopin?
As a pianist, I have great admiration for many legendary musicians of the 20th century. Martha Argerich, for example, has been a huge inspiration to me, not only for her technical brilliance but also for the way she conveys the soul of the music. I also admire other greats like Arturo Benedetti Michelangeli, Vladimir Horowitz, and of course, my beloved Chopin, whose works are deeply important to me. His Mazurkas, and Balades in particular, have a special place in my heart. The intimacy and emotional depth of these pieces allow me to express both the joy and the melancholy that are so deeply ingrained in the Cuban soul. Chopin’s Études also push me to refine my technique in ways that constantly challenge and inspire me.
What is your favorite song to play?
It's difficult to choose just one, but if I had to, I would say the Nocturnes of Chopin always move me. They are so delicate, yet profound. As for what I like to wear when I perform, I tend to go for something that allows me to feel free in my movements, often something classic but comfortable. Elegant. I would love to share my music with you all there!
Who do you think is an underrated composer?
As for underrated composers, I think many of the Mexican woman composers like Alicia Urreta , and even lesser-known figures in the classical world, deserve more recognition. Their works are full of emotion and innovation, and they have so much to offer in terms of both melody and rhythm.
When we photographed you I can see how much you feel the music and the intention behind each of the songs. Do you have an emotional reaction to most music?
And yes, I do have an emotional reaction to most music I perform. Music is more than just notes on a page to me; it’s a language of emotions. Every piece I play brings its own story, and I try to live within it for the duration of the performance.
Thank you Ana!
Ana wears the Infinity Collar Shirt, The Tuxedo Jacket and The Backless Halter
